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It’s November.

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You know what that means!

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Hello and\hwelcome to No Effort November,

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a series of videos for the month of November in which no effort is\hmade.

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Are you a prude who can’t bear the thought of your children being exposed to naughty language\hin movies and television,

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but you just can’t bear the thought of missing out on watching stuff\has a family?

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Are you looking for a technological solution to free you from the guilt of exposing\hyour kids to bad words?

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Is it 1998?

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Well then have I got the solution for you, the TV Guardian.

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This amazing device attaches to any ordinary television set and transforms that foul-mouthed\hboob tube

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into a proper G-rated gentleman.

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Mostly.

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How does it work?

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State-of-the-art technology,\hof course!

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The TV Guardian filters out foul language from cable or satellite TV
AND\hhome video sources like VHS tapes, DVDs,

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and let’s not forget Laserdiscs.

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Simply\hdisconnect the video source from your TV and connect it to the Guardian.

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Then, connect\hthe Guardian to your TV and now you can watch TV as a family without worrying about\han F-bomb absolutely ruining your night.

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How does it work?

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State-of-the-art technology, of course!

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Didn’t I just say that?

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Uh, let’s begin with a look at this gadget.

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The\hdevice itself is pretty simple, with two complete sets of composite video and audio jacks -

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which\hare helpfully labeled Right, Left, and Video, but you’ll have to guess which one is the input\hand which one’s the output.

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There’s also a coaxial RF out for old-school TV sets and another RF\hconnection above it which is…

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unlabeled.

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There’s a DC barrel plug for power input, which they did\h
bother to specify as 9v, 100ma DC,

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but forgot to finish the diagram for plug polarity.

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Helpful!

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We\halso find two three-position switches for changing settings.

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We’ll get back to those.

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Lastly,\hthere is one more switch tucked way behind a hole at the top of this panel which is once again\hunlabeled.

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They did a bang-up job here.

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That’s the channel 3 or 4 selector for the RF modulator,\h
which you’d know if you bothered to read the manual.

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Now I know that this was likely\ha fairly low-volume product,\h\h

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and it’s also 20+ years old,

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but the cheapness\hof the construction here cannot be stressed enough.

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This looks and feels like an electronics\hproject box,

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and frankly if it weren’t for the TV guardian branding I’d think it\h
literally was an off-the-shelf electronics project box.

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Of course there is a custom circuit board\hin here…

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[feigning sadness]
oh no, I voided my warranty

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but yeah even this is pretty basic.

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Just a few\hchips and an off-the-shelf modulator, essentially.

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That’s because this is using much of the\hsame componentry you’d find in all sorts of contemporary video equipment.

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It’s just got a bit of a trick up its sleeve.

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The device uses our old friend closed captioning to watch out for profamity.

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Since I already made a\hvideo on that topic I won’t go deep into it here.

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Plus it is November.

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But in the US, starting\hin the 1980’s

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television broadcasts and home video formats
began regularly incorporating\hclosed captioning

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in the form of a hidden data stream across the length of
Line 21 in\hthe analog video signal.

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Line 21 is near the end of the vertical blanking interval,

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which is a string of blank lines that help an analog television draw the image.

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While\hyou’re not supposed to be able to see it, in the digital age we’re starting to find parts\hof it pop out occasionally,

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like here in Frasier.

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These blinky dashes are encoding text and basic\h
formatting,

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and they get extracted as high-low pulses by a television set, or a separate device,

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and decoded to generate text atop the image.

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This was a way to add captioning for those who desired\h
it without making it part of the broadcast image,

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hence the name closed captioning.

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Now, an older\hanalog television like this one, mindlessly drawing glowing lines
on the face of a cathode\hray tube over and over again,

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doesn’t process what it’s doing and this picture tube actually\h
draws the lines, blinky dashes and everything.

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But they’re getting drawn outside the\hvisible area,

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somewhere like here.

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That’s thanks to overscan:
the actual\himage is blown out just a bit beyond the edges of the screen

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which was necessary due\hto the vagaries of analog video and since most picture tubes didn’t have perfectly\hrectangular faces.

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So you weren’t ever gonna see this datastream unless there was\h
something wrong with your television set.

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But modern displays what with their neat\h
grids of pixels and discrete resolutions\h\h

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generally don’t stretch the image they\h
are told to display beyond their borders.\h\h

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Some do for silly reasons which makes using\h
them as a computer monitor very annoying

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until you find the “just scan” setting buried in the menus but...

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for the\hmost part, a modern display or television will show the entirety
of whatever you throw at\hit.

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And some less-than-careful analog-to-digital transfers
have gotten done over the years,

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which\hcaptured part of the vertical blanking interval.

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That’s what’s happening in this episode of\hFrasier.

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Whoever did the transfer didn’t take care to ensure the 480 rows of pixels they’d\hcapture from the 525 lines of video started at, like, line 23 or 24.

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Or perhaps they just\hthought overscan was gonna live on forever.

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Anyway, back to the TV Guardian.

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Baked into\hits programming is a dictionary of offensive words and phrases which,

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for science,

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I’d love to\hsee but it’s not written anywhere in the manual, aw shucks.

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Now, when it’s turned on and active,\h
it decodes the captioning data from line 21.

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If it finds a match with one of those\h
objectionable things in its dictionary,

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the guardian jumps into action and…

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mutes the audio to\hprotect the innocent.

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That…

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that’s what it does.

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Now, I may sound like I’m making fun of this\hlittle gadget.

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And I must admit that this particular form of parental control
 seems a bit… odd to my ears,

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but the way it’s done is actually pretty clever.

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Here, let’s all settle down as a wholesome\h
family and watch

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Goodfellas together with the Guardian turned on.

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Profanity is definitely\hthe only objectionable part of that movie, right?

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[ambient road noise]

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So far it looks like a typical movie-going\hexperience,
but watch what happens here.

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[clunky thud, ambient noise]

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[audio cuts out]

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[Jimmy -

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What's up?

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Did I hear something?

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What the F - ]
[audio cuts again]

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Not only was the audio muted,

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but when that\hhappened the closed captioning was placed on-screen so it can be read and stand in for the\hmissing dialogue.

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And that captioning was altered to remove the offensive word, in this case\h"fudge."

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But it didn’t simply remove the word, it also took out the the.

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“What the fudge\his that” became, simply,

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This sort of word swap or rephrasing\his done whenever necessary.

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And it’s sometimes pretty good at keeping the\h
context intact.

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Like, for instance in this scene.

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[ How could I go back to school after that and pledge allegiance to the flag and - ]

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[audio cut]

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[sound returns]

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Good government “bull excrement” was replaced\h
with good government "baloney."

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[ For us, to live any other way was nuts. T - ]

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Here, the line “to us, those goody good people who work 'shirty'\hjobs”
got turned into “who work crud jobs”.

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Cruddy would have been a better fit but still, not bad.

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As much as this is clever, it’s really doing\hthis because of a limitation stemming from\hhow the captions work.

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Captioning data is sent in\hspurts which encode all the text to be displayed on screen - and where to place it.

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Entire sentences\hare often displayed at once,

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in fact a call and response between two characters is sometimes on\hscreen.

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The text will stay there until the next spurt of data is received

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which either contains\hmore text and formatting or says to clear it.

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So, if a chunk of captioning data contains a bad\hword or phrase,

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the TV Guardian knows it will be spoken at some point the text is displayed,

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but it doesn’t know exactly when.

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So the only thing it can do is mute the audio for the entire\h
time that caption block appears on the screen.

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[Partner. Is that what you've been trying to tell me, you want me to be part - ]

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[audio cut]

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[It's not even fair, no?]

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As removing an entire sentence or more could\h
very easily cause you to lose the plot,\h\h

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it has little choice but to display the\h
text with the objectionable parts altered.

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Now that is an optional feature.

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One of the two\hoption switches we haven’t talked about yet is labeled "caption," and you can choose between\hOn, Cuss, and Off.

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So far we’ve seen it in the cuss setting, but if you like, you can move\h
the switch to “off” —

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using a tiny screwdriver or something because they’re recessed in a\hway which I can’t decide if was deliberate\hfor parental control reasons or just bad design

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— and that will simply have it mute the audio
and leave you wondering what was said.

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I don’t\hknow why you’d want that but you can do it!

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You can also have it leave captions on continuously,\h
leaving nice and friendly phrases unaltered but,

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whenever someone uses a mouth which makes\h
you wonder if they kiss their mother with it,

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it’ll cut the audio out and make whatever\h
alterations to the written dialogue it sees fit.

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You can also choose how strict\hyou want the filtering to be.\h\h

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If phrases like “My god” bother you,
you’ll\hwant the extra strict enforcement turned on.

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But if you’re just a little bit more lenient,

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you can choose the mild setting which lets such religious-adjacent phrases through,

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in addition to\hless-objectionable potty-mouth words.

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Now these are printed in the manual.

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I won’t read them\hall off but it includes such bangers as
balls, wuss, up yours, forms of screw, and even

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"H E Double Hockey Sticks."

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And if you only care that your children don’t\hhear these words
but you yourself are in for\ha good profanity-laden evening,

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you can\halso turn off the filtering altogether.

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Now, it’s probably obvious but this method has\ha few key weaknesses.

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We’ve already discussed how it has to mute entire sentences or more but,\hto reiterate,

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it has to mute entire sentences or more.

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And its decisions on how to fill in what it\h
censors are good most of the time but can also be…

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really weird or even just bad.

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Here’s a list of\hall the examples that I’ve found.

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I’ll try to keep this family friendly, folks but you might not agree\h
with all my decisions here so just be warned.

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We already established that "excrement" turns\hinto crud,

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but if it’s phrased as “oh, shirt” then it becomes “oh, man.”

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Pretty good.

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The\hphrase that rhymes with "missed off" gets changed to teed off (or just teed).

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Prick becomes jerk.

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Bastard also turns into jerk.

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Uh… "rocksucker" was also turned into jerk.

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Really there’s a lotta jerks.

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But slut, ah well that turned into flirt.

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It’s fine with moron. That’s cool with the guardian.

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The n word simply becomes ellipses which… yeah that’s probably for the best.

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A word now commonly\hconsidered a slur became simply “gay”

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so the caption “he’s treating me like a gay” popped up\hhere.

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Interesting.

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And then on the strict setting, balls gets turned into tail, which is funny\hbecause that word can also just mean… balls

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or be a name as happened here.

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Oh, and the exclamation "My\hGod" becomes Man, which…

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I guess that’s fine.

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But then there’s the F-bomb.

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As any sailor\hmouth knows that particular word can mean many things
and results to censor it will\hvary.

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Here’s a decent example.

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"Maybe it’s me, I’m a little forked up." turns into

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"Maybe it’s me,\hI’m a little 'messed' up."

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Great work! That worked fine.

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And it did a pretty good job earlier when it\hremoved the the in
"what the fudge is that?"

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But, uh, if it’s ever phrased as a verb,

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the guardian\hlikes to change it to "wow."

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Like, you'll wow everything up.
Or, go wow yourself.

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I mean, OK.

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Uh, if it see’s “fork’n” the word just gets removed
and an errant apostrophe is left behind.

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And it\happears to change some instances to “go away”
which makes sense for “fork off” I guess but,

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"go\hgo away your mother" doesn’t really mean anything intelligible.

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That’s a total fail.

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Oh and, F...\htrucker is another word that becomes jerk.

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But even if it made perfect\hdecisions all the time,\h\h

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it first relies on closed captioning to be 
A)\hthere in the first place

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B) accurate and not itself censored and

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C) properly timed and\hin sync with the speech.

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By the time this thing was released most everything had closed\hcaptions in it,

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but with the rise of the DVD, some studios went rogue.

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And in fact, the\hmanual calls out Universal for doing this.

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See, DVD players are capable of injecting their\hown line 21 captioning data

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so analog TVs hooked up to them can decode it on their own.

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Here’s an example with The\hBirdcage,

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another film which I’m sure in the eyes of a TV Guardian buyer would be completely\hunobjectionable

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if only it didn’t have cuss words.

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But of course, DVD players could also display\hclosed captions themselves.

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And far more capably, offering captions in multiple languages,\h
commentary tracks,

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and in any style, font, or color the publisher desired.

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Universal, it seems,\hdeemed the newfound capabilities of DVD enough to negate the need for old-fashioned line 21 caption\hsupport in their releases,

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at least circa 2000.

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So for Universal's DVDs the Guardian has no idea\hwhat’s being said,
and it’s f-bombs galore.

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Another issue comes from captions\hwhich don’t exactly match the dialog.\h\h

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This is actually quite common, usually when\hdialog is fast-paced.

212
00:14:54,164 --> 00:14:57,073
[ It was there that I knew that I belonged.

213
00:14:57,073 --> 00:15:01,523
To me, it meant being somebody
in a neighborhood that was full of nobodies.

214
00:15:01,523 --> 00:15:03,083
They weren't like anybody else.

215
00:15:03,083 --> 00:15:04,836
I mean, they did whatever they wanted.

216
00:15:04,836 --> 00:15:08,771
They double parked in front of a hydrant
and nobody ever gave them a ticket.

217
00:15:08,771 --> 00:15:12,598
In the summer, when they played cards all night,
nobody ever called the cops.]

218
00:15:12,953 --> 00:15:20,382
For instance, in Goodfellas, the Guardian correctly catches that terrible\hversion of “ticked” when Henry’s narration says

219
00:15:20,382 --> 00:15:22,681
“my father was always ticked off,”

220
00:15:22,681 --> 00:15:30,950
but just\hafter this Henry repeats “he was ticked” at the beginning of
three separate phrases in something\hof a run-on sentence.

221
00:15:30,950 --> 00:15:37,950
The captioning is structured more loosely, though, with the offending word\honly placed in the beginning of that sentence.

222
00:15:37,950 --> 00:15:42,701
So the audio is unmuted and the last one is…\hmissed.

223
00:15:42,701 --> 00:15:47,615
[ ... was in a wheelchair, he was pissed
that there were seven of us living in such a tiny house]

224
00:15:47,615 --> 00:15:49,934
Won’t somebody think of the children?

225
00:15:49,934 --> 00:15:54,460
Then of course, what if whoever wrote the captions\h
was a prude who censored them?

226
00:15:54,460 --> 00:15:58,646
Instead of actually writing out H E Double Hockey Sticks they could\hhave written

227
00:15:58,646 --> 00:16:00,862
"H asterisk asterisk asteroid."

228
00:16:02,029 --> 00:16:10,256
Now, doing that is very bad captioning practice -\hafter all,
if adults are choosing to see\ha movie with profanity and rely on captions,

229
00:16:10,256 --> 00:16:14,707
they’re not seeing the movie they chose to see if the captions are censored.

230
00:16:14,707 --> 00:16:17,523
So in the grand\hscheme that should be rare.

231
00:16:17,777 --> 00:16:23,940
But oh the sweet irony of a prudish transcription causing\h
profanity to slip through the TV Guardian.

232
00:16:24,480 --> 00:16:26,983
Lastly, there’s caption timing.

233
00:16:26,983 --> 00:16:31,588
Live events rely\hon stenographers furiously stenographering what’s spoken

234
00:16:31,588 --> 00:16:34,862
and that leads to a substantial delay in\hthe captions.

235
00:16:34,862 --> 00:16:38,760
So better hope those sportscasters aren’t potty mouths.

236
00:16:38,760 --> 00:16:42,308
Scripted content is generally\hbetter, but it’s not perfect.

237
00:16:42,308 --> 00:16:46,498
The Guardian let quite a few things slip through in Goodfellas.

238
00:16:46,498 --> 00:16:49,843
To\hbe fair, they don’t claim perfection on the box.

239
00:16:49,843 --> 00:16:54,103
Another somewhat odd choice was an inability\hto censor any RF source.

240
00:16:54,103 --> 00:16:58,127
There is a coaxial input but this is just a pass-through,

241
00:16:58,127 --> 00:17:05,543
and as a\hmatter-of-fact this shipped with a red cover over the top connection and there’s a note in the\hmanual that basically says “don’t use this.”

242
00:17:05,940 --> 00:17:10,332
Yes, it has a built-in RF modulator for\houtputting to older TVs,

243
00:17:10,332 --> 00:17:14,758
but the censoring function only works on the composite input.

244
00:17:14,758 --> 00:17:19,822
So if you want this to work with live TV,
you’ll either need to have satellite or\hcable,

245
00:17:19,822 --> 00:17:27,219
or you’ll need to use your VCRs TV tuner for over-the-air broadcasts from now on\hand hope your kids don’t figure that part out.\h\h

246
00:17:27,660 --> 00:17:32,340
I imagine this was mainly a cost-cutting\hmeasure but it still seems silly.

247
00:17:32,340 --> 00:17:35,213
Oh, and since there’s only one input…

248
00:17:35,213 --> 00:17:42,406
well\hthat gets fun when you have a cable box, a VCR, and a DVD player and you'd like them all\hto be Guardianed.

249
00:17:42,406 --> 00:17:48,181
Better hope your VCR is fancy enough to have two inputs, and then you can run\heverything through it.

250
00:17:48,181 --> 00:17:52,100
But if you’re not so lucky, you’ll need some sort of video switcher.

251
00:17:52,100 --> 00:17:54,488
The\hmanual even says as much.

252
00:17:54,488 --> 00:17:58,885
The limitations we just went over are all technical ones, though.

253
00:17:58,885 --> 00:18:02,618
There’s also a pretty glaring conceptual hurdle.

254
00:18:02,618 --> 00:18:06,287
I chose Goodfellas and The Birdcage to demonstrate\hthis

255
00:18:06,287 --> 00:18:15,293
because I have a feeling the sort of person who bought the TV Guardian might object to some\hof the visuals and themes in those films.

256
00:18:15,293 --> 00:18:16,527
Just a hunch.

257
00:18:17,060 --> 00:18:22,186
The TV Guardian can’t do anything about\hthe content or what’s on the screen;

258
00:18:22,186 --> 00:18:27,852
it can only ever be a pretty-good but not perfect profanity\h
filter.

259
00:18:27,852 --> 00:18:31,725
So I’m somewhat perplexed by the perceived value here.

260
00:18:31,725 --> 00:18:36,480
You’re still gonna need to screen for\h
whatever you might not want your kids… seeing!

261
00:18:37,200 --> 00:18:43,405
I suppose there’s a lot of content out there\hwhich is otherwise pretty tame but which has a few\hsailor mouth moments.

262
00:18:43,405 --> 00:18:47,686
But it’s really only\hthat middle-ground that this can do anything for.

263
00:18:48,000 --> 00:18:54,660
And if I may be so bold, if you’re that worried
about your kids hearing the occasional bad word,\h\h

264
00:18:55,318 --> 00:18:56,944
well you better not let them leave the house.

265
00:18:58,339 --> 00:19:05,040
That was a joke, just wanna be clear, but yeah - there’s a lot of profanity outside\hof television, hate to break it to you.

266
00:19:05,640 --> 00:19:09,420
Still, though, as much as I think\h
this is silly and not at all for me,\h

267
00:19:09,902 --> 00:19:13,346
I will tip my hat to it for being pretty clever.

268
00:19:13,346 --> 00:19:16,616
And,\hif you think there’s some merit in this idea,

269
00:19:16,616 --> 00:19:19,924
or maybe you know someone in your life who would\h
have loved one of these,

270
00:19:19,924 --> 00:19:21,775
well I have good news!

271
00:19:22,140 --> 00:19:27,900
This company still exists, and they make HDMI\h
versions now so you can guard your Netflix.

272
00:19:29,160 --> 00:19:31,073
Except, not actually.

273
00:19:31,909 --> 00:19:34,680
Yeah, they’re\h still relying on line 21 captions.

274
00:19:35,400 --> 00:19:39,963
Probably because HDMI doesn’t actually carry\hcaptioning data.

275
00:19:39,963 --> 00:19:47,280
The website makes it pretty clear that whatever you’re plugging into the new versions of this stills\hneeds to have a composite video output for it to work,\h\h

276
00:19:47,940 --> 00:19:50,775
so the HDMI video feed is…

277
00:19:50,775 --> 00:19:54,406
I guess just\ha passthrough that it draws captions on top of?

278
00:19:55,200 --> 00:19:59,040
I dunno, I’d investigate further\hbut this is No Effort November.

279
00:19:59,580 --> 00:20:02,197
Before I go, I want to do two more things.

280
00:20:02,197 --> 00:20:07,213
First, I want to thank my long-time patron Colin for sending this thing to me.

281
00:20:07,213 --> 00:20:13,604
It’s very much\hnot either of our jams, but it certainly is an intriguing use of closed captioning.

282
00:20:13,604 --> 00:20:15,259
And second…

283
00:20:15,259 --> 00:20:20,751
well I think it’s time I finally rip the band aid off about a certain video topic I promised.

284
00:20:20,751 --> 00:20:26,694
In my video on closed captioning, I said I’d be making a video on Teletext.

285
00:20:26,694 --> 00:20:29,070
And I said I'd do that “Soon”

286
00:20:30,313 --> 00:20:32,744
That was\halmost four years ago.

287
00:20:33,074 --> 00:20:33,990
So what happened?

288
00:20:34,620 --> 00:20:39,195
Well, I don’t think I’m the right person to\htell that story.

289
00:20:39,195 --> 00:20:45,046
I’ve never used it, and as such I really have no enthusiasm or nostalgia for\hit.

290
00:20:45,604 --> 00:20:49,521
For those that don’t know, which is mainly people outside of Europe,

291
00:20:49,521 --> 00:20:59,911
teletext was an earlier\hand way, way, waaaaay more capable use of the vertical blanking interval for sending data along\hwith television transmissions.

292
00:20:59,911 --> 00:21:05,291
And I cannot stress the way way wayyyyyy more capable part enough.

293
00:21:05,291 --> 00:21:07,246
It wasn’t just captions.

294
00:21:07,246 --> 00:21:16,440
It was full-on news, weather, sports information, trivia games,
and\heven computer programs all sent alongside ordinary television.

295
00:21:16,980 --> 00:21:22,174
For whatever reason, probably the lack\h
of a nationalized television broadcaster,\h\h

296
00:21:22,174 --> 00:21:24,581
that never got any traction here.

297
00:21:24,581 --> 00:21:29,436
Americans just don’t know what teletext is or was.

298
00:21:29,436 --> 00:21:33,300
We never had it aside\hfrom small-scale tests here and there.

299
00:21:34,140 --> 00:21:41,708
Those who live where teletext is common might\hbe surprised
that our closed captions work just\hfine on VHS cassettes -

300
00:21:41,708 --> 00:21:45,117
see our standard was\hdesigned with that in mind.

301
00:21:45,117 --> 00:21:51,900
Teletext on the other hand is very high-bandwidth, and television\hsets couldn’t decode it from a consumer videotape.

302
00:21:52,560 --> 00:21:59,790
However, some really cool people have developed\h
software techniques to recover the teletext\hinformation from home recordings,

303
00:21:59,790 --> 00:22:02,940
and archives\hare being built and expanded as we speak.

304
00:22:03,660 --> 00:22:08,733
That’s really interesting to me, but without a\hpersonal…

305
00:22:08,733 --> 00:22:13,200
connection to it, I just won’t give the story justice.

306
00:22:13,200 --> 00:22:15,931
I’ll leave that for someone else to\htackle.

307
00:22:15,931 --> 00:22:21,493
I’ve put links to some info about Teletext and to the archive, if you're curious, down in the description.

308
00:22:21,493 --> 00:22:24,191
But yeah, a teletext video…

309
00:22:24,540 --> 00:22:26,784
isn’t gonna happen on this channel.

310
00:22:26,784 --> 00:22:30,014
I bet there are\hsome pretty cool videos on YouTube right now, though -

311
00:22:30,014 --> 00:22:31,772
ohhh goodness.

312
00:22:31,772 --> 00:22:33,691
No. Nooo…

313
00:22:34,224 --> 00:22:37,408
Why are these popping up?\hThey have nothing to do…

314
00:22:38,270 --> 00:22:43,708
OK, well if any of you out there have been holding off to make a video,
waiting for me to\hdo something,

315
00:22:43,708 --> 00:22:47,318
you go right ahead - I’ll even be on the lookout for ‘em.

316
00:22:47,318 --> 00:22:51,090
And this one’s pretty good if you\hwant to learn a bit about it right now.

317
00:22:52,155 --> 00:22:53,316
Ok bye.

318
00:22:54,204 --> 00:22:56,847
♫ profanely smooth jazz ♫

319
00:22:58,039 --> 00:23:01,140
Are you looking for a technological\hsolution to your fear of

320
00:23:02,460 --> 00:23:03,307
nope.

321
00:23:03,307 --> 00:23:08,223
Are you a prude who can't bear the thought\h
of your children being exposed to [runs out of air]

322
00:23:08,223 --> 00:23:10,159
oh god I didn't take a breath at the right time

323
00:23:10,159 --> 00:23:13,038
Of course\hthere is a custom circuit breaker... circuit board.

324
00:23:13,038 --> 00:23:14,936
It's not a circuit breaker!

325
00:23:14,936 --> 00:23:19,140
Captioning data\his sent in spurts which encode all the text tood

326
00:23:20,940 --> 00:23:22,020
ugh!

327
00:23:22,020 --> 00:23:27,187
Captioning data is sent in spurts which\hencode all the text to be displayed on -

328
00:23:27,187 --> 00:23:28,077
[laughs]

329
00:23:28,077 --> 00:23:29,444
That's a mouthful!

330
00:23:29,444 --> 00:23:31,847
Which encode all the text to\hbe displayed!

331
00:23:31,847 --> 00:23:34,596
...which encode all the text to be displayed on

332
00:23:34,596 --> 00:23:36,985
I made it!
But I didn't think\hI did!

333
00:23:36,985 --> 00:23:39,387
...which encode all the text to bees

334
00:23:39,387 --> 00:23:40,501
My god!

335
00:23:40,501 --> 00:23:43,764
All the text to be. Text to be.

336
00:23:43,764 --> 00:23:46,218
That's... all the text to be

337
00:23:46,218 --> 00:23:47,447
Haha, wow!

338
00:23:47,777 --> 00:23:49,443
As much as...

339
00:23:49,443 --> 00:23:51,383
[holding in laughter]

340
00:23:51,383 --> 00:23:52,724
Oh god.

341
00:23:52,724 --> 00:23:54,833
This is like Dietz Nuts all over\hagain.

342
00:23:55,746 --> 00:23:58,119
It's not even supposed to be funny!

343
00:23:58,119 --> 00:24:03,221
It first relies on closed captioning\hto A) be there in the first place, B)

344
00:24:03,830 --> 00:24:07,363
[questioning, contemplative silence]

345
00:24:07,743 --> 00:24:09,590
Oh, yeah that's correct.

346
00:24:10,402 --> 00:24:10,902
______________    __    __    ____    __        __
 
 
 
 
 
 
 
 
 
 
 

347
00:24:10,902 --> 00:24:11,402
______________    _______    __    ____    ____
 
 
 
 
 
 
 
 
 
 
 

348
00:24:11,402 --> 00:24:11,902
______________        __                  __                
 
 
 
 
 
 
 
 
 
 
 

349
00:24:11,902 --> 00:24:13,822
SO, WHAT'D YA THINK?

350
00:24:13,822 --> 00:24:14,322
______________    __    __    ____    __        __
 
 
 
 
 
 
 
 
 
 
 

351
00:24:14,322 --> 00:24:14,822
______________        __                  __            
 
 
 
 
 
 
 
 
 
 
 

352
00:24:14,822 --> 00:24:15,322
______________    __    __    ________        __
 
 
 
 
 
 
 
 
 
 
 

353
00:24:15,322 --> 00:24:17,575
PRETTY COOL VIDEO, HUH?

354
00:24:17,575 --> 00:24:18,075
______________    __    __    ____    __        __
 
 
 
 
 
 
 
 
 
 
 

355
00:24:18,075 --> 00:24:18,575
______________        __                  __             
 
 
 
 
 
 
 
 
 
 
 

356
00:24:18,575 --> 00:24:19,075
______________    __    __    ________        __
 
 
 
 
 
 
 
 
 
 
 

357
00:24:19,075 --> 00:24:19,575
______________    __    __    ____    __        __
 
 
 
 
 
 
 
 
 
 
 

358
00:24:19,575 --> 00:24:20,075
______________        __                  __            
 
 
 
 
 
 
 
 
 
 
 

359
00:24:20,075 --> 00:24:20,575
______________    __    __    ____    __        __
 
 
 
 
 
 
 
 
 
 
 

360
00:24:20,575 --> 00:24:23,716
THIS GAG VIOLATES THE SPIRIT OF NO EFFORT NOVEMBER

361
00:24:23,716 --> 00:24:24,216
______________    __    __    ____    __        __
 
 
 
 
 
 
 
 
 
 
 

362
00:24:24,216 --> 00:24:24,716
______________    __    _____       __        __    
 
 
 
 
 
 
 
 
 
 
 

363
00:24:24,716 --> 00:24:25,216
______________        __                  __            
 
 
 
 
 
 
 
 
 
 
 

364
00:24:25,216 --> 00:24:28,716
FOR SHAME